As the saying goes, “one thing leads to another”. I find this very true when it comes to my photography. Playing with an object will often stimulate new ideas for how I can present it, or use it differently in conjunction with other items. Sometimes, these pairings are not what you’d usually expect, but often they’re the ones which produce the most challenging photo shoots and satisfying results.

‘One thing leads to another’ is the second blog post in the ‘An Evolutionary Viewpoint’ sequence and explores the mischief I got up to with one of my most photogenic glass vases.

The Vase

Lots of bright colours and triangular shapes – what more could I ask for?

Wanting to bring out these two features, I used strong back light (in this case, the sunlight on my deck) to highlight and intensify the colours.

The final result was ‘Glass Triangles’ with its plentiful intermingling of colour and geometric shapes.

The Vase and a Mushroom

Not content to finish there, the next installment of the adventure was to hunt for an item which I could use with the vase somehow.

I found this glass mushroom, the largest in a set of three which adorn the bookcase in our lounge. As I looked closer, I became rather intrigued by the little air bubble on the right-hand side.

I decided to place the vase beside the mushroom and discovered how well the colours were being reflected and distorted around the air bubble.

I grabbed my macro lens and dived in very close. The end result turned into a real flight of fancy with the colours ebbing and flowing as if they were born in some cosmic soup. ‘Birth of Colour’ miraculously came into being.

The Vase and a Prism

My next thought was to try the vase with a little triangular glass prism. I felt using strong back light would be the best way to help bring out the intensity of the colours, so I did all of this work right by my window.

Here’s an example of one of my ‘proof of concept’ shots – I do these from time to time just to see if a project is worth persevering with. I wanted to check how well the colours would be picked up in the prism and how well I could utilise the geometric shapes. Obviously, this shot is very busy with a distracting background and a somewhat random array of colours – but as an idea I felt it could work.

So, for ‘Imprismed’, I simplified the structural elements by getting in even closer, focused on a diamond shape and made the colour palette more homogeneous.

Prism Take 2

Feeling the urge to try something different with the prism, I chose to experiment with a few movement shots. I had the prism hanging in front of a dark piece of card and the light was catching the little, coloured, plastic beads strung above the prism itself. So, those are the coloured lines in the top half of the picture, while the prism constitutes the more disembodied, amorphous swirls in the bottom half.

One More Step

Ultimately, I was very happy with the journey I embarked upon with my triangular glass vase. However, there was one more step further down the line – a re-imagining of ‘Glass Triangles’ into a triptych format. The story continues with ‘Prismatic’…

Jane Trotter is an abstract photographer living in Dunedin, New Zealand. Reimagining everyday objects found around the home, Jane transforms them into colourful and dramatic pieces of contemporary art. Her Fine Art Prints are available in sizes A4 to A1.

 

Creativity is a wonderful thing. Never static, your mind can be subconsciously mulling over ideas which suddenly burst forth when you least expect them. Inspiration drawn from previous experience or a tangential flight of fancy will coalesce, and a new plan form from untapped possibilities and unexplored connections.

I know – I’m getting a little carried away, but it’s a topic which is close to my heart and one which I find really exciting! This blog post is all about how ideas can grow and develop, and how one shot can stimulate another idea which extends and expands upon your original concept.

I’m going to follow two sequences through, revealing my thought processes and how working on one shot directly lead to the creation of another.

Curtain & Clotheshorse

I took this quirky little shot called ‘Curtain Call’ many years ago as part of a ‘Lines & Curves’ Study. I thought the idea had potential as I found the recurring curves to be quite pleasing. It was almost wave-like and I could imagine gentle undulations moving back and forth.

I created ‘Curtain Call’ by pulling the curtains across the blinds, allowing the sun to stream in from behind. Seeing how well the strong backlighting worked with the shadows on the fabric, I decided to try another shot using these elements. I kept a linear aspect but this time, introduced more colour into the equation. I liked ‘Curtain Call’, but was hankering after something with a brighter ‘pop’, so I hunted out the most colourful scarf I possessed and decided to drape it over my clotheshorse.

The resulting image on the right, ‘Horse and Scarf Perspective’ was more along the lines of what I wanted.

Still not completely satisfied, I started to make the connection back to the blinds in the lounge. While the clotheshorse made an interesting design, it was rather sparse and I wanted more drama in the shot. The repetition of the narrow blinds would give me far more scope with which to play around. So, out came the pegs and up went the scarf!

‘Colour Contours’ was the result. If you’d like to delve a little deeper into how I created this image, please visit its Exposed post where I go behind the scenes in more detail.

I definitely had fun working my way through the process of creating these images. Building upon what I had previously achieved, it was very much a case of embracing the learning curve as things began to percolate in my mind.

Stripy Bag & Shiny Stuff

This next sequence outlines how I used one particular item or prop, in combination with several other objects. In my experience, once you’ve found a favourite item with much potential, you start using it a lot to discover all of the things you can come up with. One of my ‘favourite items’ was, and still is, a very groovy, multi-coloured stripy bag.

Here, I’ve used the stripy bag in conjunction with a large torch. I was thinking about how the bag’s many colours would be reflected in the metallic surface.

This is what I came up with – ‘Torchlight’. You can see the effect of the torch’s smaller rectangular sections which add an element of texture and particular distinction of colour. It’s a soft image, which to me, has a sense of circularity and an almost 3D effect with the bulb coming out at you.

I liked the idea of reflecting the bag in metallic surfaces and was pleased with how well the torch worked. So next, I decided to go for something smaller – some crinkly tinfoil. As you can see, the colours began to spill out over the foil. I knew I’d have to get in very close, so used a macro lens with a very narrow depth of field.

‘Air Guitar’ is the end result. Perhaps it’s the musician in me, but I see a misshapen and impressionistic-looking guitar rising from the ground. Imagination running amuck, I also envisage a strange mysterious landscape, the ‘guitar’ some ancient, stony monolith.

The final instalment in the stripy bag adventure was a date with a teapot! You can see the wonderfully distorted, misshapen lines and curves, and the dance of colour on the surface of the metal.

I enjoyed this particular photoshoot very much and several images resulted, two of which are above – the triptych ‘Splay of Colour’ and ‘Psychedelic Brew’.

You can check out ‘Splay of Colour’s’ Exposed blog post if you’d like to find out more about this particular image.

A Stimulating Process

I hope this selection of images has given you an appreciation of how ideas can form, and then inform and influence subsequent photo shoots and projects. It can be a very stimulating process. While the journey’s not always apparent from the beginning, it’s definitely fun to look back and review the pathways you took to get there.

Jane Trotter is an abstract photographer living in Dunedin, New Zealand. Reimagining everyday objects found around the home, Jane transforms them into colourful and dramatic pieces of contemporary art. Her Fine Art Prints are available in sizes A4 to A1.