{"id":1597,"date":"2015-06-01T10:20:06","date_gmt":"2015-05-31T22:20:06","guid":{"rendered":"https:\/\/abstractedreality.com\/?p=1597"},"modified":"2023-01-25T12:21:49","modified_gmt":"2023-01-24T23:21:49","slug":"exposed-5-first-contact","status":"publish","type":"post","link":"https:\/\/abstractedreality.com\/exposed-5-first-contact\/","title":{"rendered":"Exposed #5: First Contact"},"content":{"rendered":"
\"First<\/a>
First Contact<\/figcaption><\/figure>\n

They say oil and water don\u2019t mix. I beg to differ! Throw in something which will provide a colourful, reflective surface and you\u2019ve got the ingredients for hours of fun with the camera, not to mention the potential for making a great abstract photograph.<\/p>\n

\u2018First Contact\u2019 is the result of some of my early attempts playing with oil and water. I hadn’t tried this technique before and I was very keen to see what would eventuate from my experimentation.<\/p>\n

What ensued turned out to be a journey of discovery with twists and turns, revelations, total abandonment and a large helping of just good old plain luck.<\/p>\n

\"Setting
Setting up to take ‘First Contact’<\/figcaption><\/figure>\n

The Set Up<\/h3>\n

I decided a CD would be the best candidate to provide the necessary reflective surface underneath the oil and water, and I placed this under a small Pyrex dish.<\/p>\n

Working close to a window allowed plenty of natural light and I was able to reposition the CD as necessary to find just the right colours and reflections.<\/p>\n

I must say my, my Manfrotto tripod came into its own here. The ability to safely and securely align my camera horizontally above the subject matter was a huge help.<\/p>\n

The final step was easy \u2013 add the liquids.<\/p>\n

\"Oil
Oil droplets on water<\/figcaption><\/figure>\n

First Attempts<\/h3>\n

Looking through the camera I was delighted with the beautiful greens and blues reflecting off the CD. I had certainly struck it lucky with the light. Keen to begin, I took a paperclip and carefully and slowly began to \u2018nudge\u2019 the oil droplets so they would appear in the frame.<\/p>\n

Often I would have to wait until they were in the position I wanted, but even then, that was usually only for a moment, as liquids have a habit of moving. Your nicely framed shot inevitably begins to transform into something completely different and far less pleasing.<\/p>\n

I was getting many shots like the one you see to the left, with the oil droplets intact in their natural, circular formations. I found some of these quite attractive, but I was becoming increasingly frustrated at my lack of control over how the shots were going to look. These oil droplets had a mind of their own and never ended up in their intended location!<\/p>\n

\"Swirling
Swirling the oil<\/figcaption><\/figure>\n

Embrace the Chaos!<\/h3>\n

Sometimes you just have to accept that you can\u2019t control the universe! It was time to embrace the chaos. In fact \u2013 it was time to create the chaos. I grabbed the paperclip which, previously I had been so cautious with, and started to make vigorous and energetic swirls in the liquids. The oil was completely disrupted and became long and streaky. Unusual curving shapes would appear, disappear and reconstitute themselves in a glorious random dance.<\/p>\n

I knew any photo I took from this point on would be totally out of my control \u2013 but I\u2019d decided this was going to be my new approach. Literally, I\u2019d be going with the flow.<\/p>\n

The resulting images were fantastical, surreal and enormously satisfying. I had a smile on my face for the rest of the entire shoot. Ironically, letting go produced the best results.<\/p>\n

\"Original
In Camera Image<\/figcaption><\/figure>\n

Magical Serendipity<\/h3>\n

I will be the first to admit, the Gods must have been smiling along with me because serendipity played a big part. There was no way I could anticipate or arrange the oil to look like this. I was extremely lucky to have taken the shot at that precise moment.<\/p>\n

I have always felt a strong connection with this image. The shapes suggest a giant cosmic hand reaching out into space. I love the vastness, grandeur and sense of mystery.<\/p>\n

In the end, I didn\u2019t have to do very much to the original shot you see here. There was some basic tidying up (cloning out some unsightly dust particles and a stray hair) and I have boosted the saturation to give the colours their maximum impact.<\/p>\n

I learnt a lot during this photo shoot, probably more about myself than photography. Don\u2019t be afraid to \u2018mix it up\u2019 and take a different path than you first intended. You might just find your new journey opens up many pleasant surprises…
\n<\/p>\n","protected":false},"excerpt":{"rendered":"

They say oil and water don\u2019t mix. I beg to differ! Throw in something which will provide a colourful, reflective surface and you\u2019ve got the ingredients for hours of fun with the camera, not to mention the potential for making a great abstract photograph. \u2018First Contact\u2019 is the result of some of my early attempts […]<\/p>\n","protected":false},"author":6,"featured_media":827,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[27],"tags":[],"yoast_head":"\nExposed #5: First Contact - Abstracted Reality<\/title>\n<meta name=\"description\" content=\"How I created the abstract photograph 'First Contact' which you can purchase as a Fine Art Print. 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