{"id":2198,"date":"2015-09-30T17:12:16","date_gmt":"2015-09-30T04:12:16","guid":{"rendered":"https:\/\/abstractedreality.com\/?p=2198"},"modified":"2023-02-11T13:54:24","modified_gmt":"2023-02-11T00:54:24","slug":"the-triptych-cut-7-options-for-arranging-your-panels","status":"publish","type":"post","link":"https:\/\/abstractedreality.com\/the-triptych-cut-7-options-for-arranging-your-panels\/","title":{"rendered":"The Triptych Cut – 7 options for arranging your panels"},"content":{"rendered":"
\"A
Several different Triptych Cuts<\/figcaption><\/figure>\n

I love to create triptychs. Over the last few years I\u2019ve been investigating and experimenting with this fascinating genre and discovered there are numerous possibilities for arranging and assembling your panels.<\/p>\n

In this article I thought I\u2019d share some of the options available and the different types of \u2018cuts\u2019 you can use. I hope you\u2019ll also get a feeling for how I go about deciding on my triptych cut and what influences my choice.<\/p>\n

Just to clarify, when I use the term \u2018cut\u2019 in this context, I don\u2019t mean cutting, cropping or dividing a single image into three sections. What I\u2019m referring to is the nature or orientation of the divisions between the panels and how the panels are arranged to make a single visual unit.<\/p>\n

Triptych Cut Options<\/h3>\n

Deciding how to arrange and position your triptych panels can be a bit of an art form in itself. Maintaining a sensitivity to the look and feel you want to achieve is extremely important as the divisions in the triptych are an integral part in how we \u2018read\u2019 the final image and put it all together in our mind.<\/p>\n

Most people, when they imagine a triptych layout, will probably visualise a \u2018vertical cut\u2019 where the three triptych panels are separated by vertical divisions.<\/p>\n

There is perhaps, historical precedence for this with the hinged altarpieces found in Churches dating back many centuries. These triptychs, which usually depicted religious scenes, were composed of a larger central panel flanked by two narrower panels which could be folded over to enclose the central piece.<\/p>\n

But a vertical cut or layout is only one of many possibilities.<\/p>\n

So let\u2019s take a closer look at some examples of the various triptych cut options and the reasons behind why I chose them. I’ll begin by introducing the vertical cut before moving onto less ‘traditional’ approaches!<\/p>\n

\u00a0\"NumberVertical Triptych Cut<\/h3>\n

To create \u2018Deus Ex Machina<\/a>\u2019 I divided a single image into three and chose a long vertical cut to individually highlight and emphasise the surreal \u2018faces\u2019 contained within the original image. You can find out more about how I created this triptych in its \u2018Exposed<\/a>\u2019 article.<\/p>\n

\"Deus<\/a>
Deus Ex Machina<\/figcaption><\/figure>\n

\"NumberHorizontal Triptych Cut<\/h3>\n

For the horizontal triptych cut, the three panels are, not surprisingly, separated by horizontal divisions.<\/p>\n

\u2018Spillway\u2019 is a good example. Here, I\u2019ve used the horizontal cut to construct and emphasise the idea of liquid descending down a series of ridges.<\/p>\n

\"Spillway
Spillway<\/figcaption><\/figure>\n

In \u2018Ingrained<\/a>\u2019 the contrasting blocks of colour are counterbalanced as we read left to right.\u00a0 The weightier purples at the top and bottom of the triptych help to contain our eyes and direct us to the central panel with its lighter, swirling patterns.<\/p>\n

\"Ingrained<\/a>
Ingrained<\/figcaption><\/figure>\n

\"NumberThe \u2018T\u2019 Triptych Cut<\/h3>\n

Another option for laying out your triptych panels is to use a \u2018T\u2019 cut where the panels intersect at a \u2018T\u2019 type junction. With this configuration, often the central point of interest is where the \u2018T\u2019 junction occurs.<\/p>\n

We can see this in \u2018Mystique<\/a>\u2019 where the mirroring effects converge and form the amorphous red cross. I\u2019ve found the \u2018T\u2019 cut format very useful if you want to highlight a symmetrical type construction.<\/p>\n

\"Mystique<\/a>
Mystique<\/figcaption><\/figure>\n

\u2018Back in the Fold<\/a>\u2019 uses a similar technique to help direct our attention towards the middle of the image where the green and black lines align.<\/p>\n

\"Back<\/a>
Back in the Fold<\/figcaption><\/figure>\n

And why not have the \u2018T\u2019 junction on its side?<\/p>\n

\u2018Cascade<\/a>\u2019 is designed to have the coloured \u2018steps\u2019 play off each other and give the feeling of cascading descent. The orientation of the \u2018T\u2019 not only serves to construct these steps but also elongate the image.<\/p>\n

\"Cascade<\/a>
Cascade<\/figcaption><\/figure>\n

\"NumberBuilding Blocks Triptych Layout<\/h3>\n

Now we come to what I call the \u2018Building Block\u2019 construction where one panel sits on top of the other two, in the same way a child would stack toy blocks on top of each other. For this format, I usually use square panels. In a sense, the Building Block layout is really a variation of the \u2018T\u2019 Cut, but I think it\u2019s sufficiently different in appearance that I\u2019ve created a separate category. The beauty of the Building Blocks is that you\u2019re working with more of a triangular or \u2018pyramid\u2019 conception rather than a rectangular mindset and this can lead to some very different approaches to composition.<\/p>\n

\u2018Tri-corner\u2019 plays with very basic geometric shapes, block colours and perspective. The \u2018flow\u2019 of the image moves up towards the green peak in the top panel.<\/p>\n

\"Tri-Corner
Tri-Corner<\/figcaption><\/figure>\n

\u2018Crossing Over\u2019 also creates a sense of depth with the overlapping plastic sheets. The top panel serves to emphasise and expand the idea of line and length presented in the panels underneath.<\/p>\n

\"Crossing
Crossing Over<\/figcaption><\/figure>\n

I\u2019ve found these Building Block triptychs quite challenging to produce. Having the top panel align with both panels on the bottom using some form of connecting shape, pattern, line or colour can be rather difficult, but I\u2019ve certainly enjoyed trying something new.<\/p>\n

\"NumberDiagonal Alignment<\/h3>\n

Now, you don\u2019t always have to have your panels aligning exactly \u2013 there\u2019s no reason why you can\u2019t place them on a diagonal if you feel the composition warrants it.<\/p>\n

\u2018Blue Diamonds\u2019 pays homage to the triptych altarpieces with the thinner outside panels \u2018folding in\u2019 towards the central panel.<\/p>\n

\"Blue
Blue Diamonds<\/figcaption><\/figure>\n

In \u2018Lining Up\u2019, the \u2018staggered\u2019 diagonal placement of the panels coincides with the diagonal content of the subject matter.<\/p>\n

\"Lining
Lining Up<\/figcaption><\/figure>\n

\"NumberDiagonal Triptych Cut<\/h3>\n

For something a little different, you could always try a diagonal cut. I must confess, this is not something I do a lot of as I tend to prefer the cleaner 90 degree edges around the panels. But you can certainly have fun experimenting and don\u2019t discount it as an option if you think your image warrants it.<\/p>\n

The diagonal cuts in \u2018Peak\u2019 follow the natural divisions within the image itself.<\/p>\n

\"Peak
Peak<\/figcaption><\/figure>\n

And for a little more fun, I\u2019ve re-imagined \u2018Peak\u2019 into \u2018Triumvirate\u2019, still playing with the triangular cut.<\/p>\n

\"Triumvirate
Triumvirate<\/figcaption><\/figure>\n

\"NumberFreestyle Format – Do whatever you like!<\/h3>\n

Finally, you can really do whatever you want \u2013 don\u2019t get hung up with rules.<\/p>\n

In \u2018Disconnect\u2019, I really just arbitrarily chopped up the original image, effectively elongating the blue paper clip, and put the panels down in a \u2018freestyle\u2019 kind of way, although still being mindful of having the content within each panel lining up. I guess this is really a combination of a horizontal cut and diagonal placement.<\/p>\n

\"Disconnect
Disconnect<\/figcaption><\/figure>\n

Have Fun Experimenting!<\/h3>\n

\"A<\/p>\n

So the next time you\u2019re experimenting with creating a triptych, take time to step back and consider some alternative layout options. Each cut brings with it its own unique considerations and challenges, and not all cuts will suit the image or images you\u2019re working with, but keep an open mind and you might just be surprised at what you can create!<\/p>\n

If this article has whet your appetite for triptychs and you\u2019d like to learn a little more about how to make them, please read my other articles The Art of Creating a Triptych<\/a>, How to Make a Triptych<\/a> and The different types of Triptychs<\/a> for more ideas.<\/p>\n","protected":false},"excerpt":{"rendered":"

I love to create triptychs. Over the last few years I\u2019ve been investigating and experimenting with this fascinating genre and discovered there are numerous possibilities for arranging and assembling your panels. In this article I thought I\u2019d share some of the options available and the different types of \u2018cuts\u2019 you can use. I hope you\u2019ll […]<\/p>\n","protected":false},"author":6,"featured_media":2226,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[22],"tags":[],"yoast_head":"\nThe Triptych Cut – 7 options for arranging your panels - Abstracted Reality<\/title>\n<meta name=\"description\" content=\"Abstract photographer Jane Trotter explores the different ways of arranging and assembling triptych panels and shares some of her unique abstract images.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/abstractedreality.com\/the-triptych-cut-7-options-for-arranging-your-panels\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"The Triptych Cut – 7 options for arranging your panels - Abstracted Reality\" \/>\n<meta property=\"og:description\" content=\"Abstract photographer Jane Trotter explores the different ways of arranging and assembling triptych panels and shares some of her unique abstract images.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/abstractedreality.com\/the-triptych-cut-7-options-for-arranging-your-panels\/\" \/>\n<meta property=\"og:site_name\" content=\"Abstracted Reality\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/Jane.Trotter.Abstracted.Reality\/\" \/>\n<meta property=\"article:author\" content=\"https:\/\/www.facebook.com\/Jane.Trotter.Abstracted.Reality\/\" \/>\n<meta property=\"article:published_time\" content=\"2015-09-30T04:12:16+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2023-02-11T00:54:24+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/abstractedreality.com\/wp-content\/uploads\/2015\/10\/TalkTrip04H.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"354\" \/>\n\t<meta property=\"og:image:height\" content=\"500\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Jane Trotter\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Jane Trotter\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"6 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/abstractedreality.com\/the-triptych-cut-7-options-for-arranging-your-panels\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/abstractedreality.com\/the-triptych-cut-7-options-for-arranging-your-panels\/\"},\"author\":{\"name\":\"Jane Trotter\",\"@id\":\"https:\/\/abstractedreality.com\/#\/schema\/person\/ee417ff6b104c82d48a9849e4076f247\"},\"headline\":\"The Triptych Cut – 7 options for arranging your panels\",\"datePublished\":\"2015-09-30T04:12:16+00:00\",\"dateModified\":\"2023-02-11T00:54:24+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/abstractedreality.com\/the-triptych-cut-7-options-for-arranging-your-panels\/\"},\"wordCount\":1301,\"publisher\":{\"@id\":\"https:\/\/abstractedreality.com\/#\/schema\/person\/ee417ff6b104c82d48a9849e4076f247\"},\"image\":{\"@id\":\"https:\/\/abstractedreality.com\/the-triptych-cut-7-options-for-arranging-your-panels\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/abstractedreality.com\/wp-content\/uploads\/2015\/10\/TalkTrip04H.jpg\",\"articleSection\":[\"Talking Triptychs\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/abstractedreality.com\/the-triptych-cut-7-options-for-arranging-your-panels\/\",\"url\":\"https:\/\/abstractedreality.com\/the-triptych-cut-7-options-for-arranging-your-panels\/\",\"name\":\"The Triptych Cut – 7 options for arranging your panels - 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