Spoiler Alert! In my 'Exposed' series of articles I reveal some of the secrets behind how I created my images. If you don't want to know how I made 'Colour Contours' stop reading now!
Colour Contours
Often we take everyday scenes for granted and don’t give much thought to what secret, artistic potential they may be hiding. ‘Colour Contours’ came about because I learnt to pay attention to what I was seeing!
Observing the Everyday
My lounge window
Take my lounge window for example. I must walk past this twenty times a day or more. If I do glance over towards the window, more often than not I’m admiring the foliage on our very beautiful elm tree in the front garden. I’m not paying much attention to the narrow ‘micro blinds’ in front.
Sunlight through the blinds and curtains
We are blessed with wonderful afternoon sunshine streaming into our lounge. But sometimes it’s just too bright or just too hot, so either the blinds get dipped or the curtains get pulled. Nothing unusual there – most of the time I just carry on with my day.
But if we take the time to really see what’s around us, creative neurons start to spark! Just look at the patterns the blinds make on the curtains with the help of the sun’s strong back lighting. There was definitely abstract material here and I’d been walking past it for years without realizing.
The Blind Leading the Blind
Addition of the colourful scarf
Taking the idea of using fabric in front of the blinds, I decided to use a bright, colourful scarf of mine and pegged it up. This would give me a few extra options and variations of colour. The first few experimental shots I took were on the right track but with the scarf being flat against the blinds, the images were lacking depth and character.
Folding the scarf
So, imitating the curving folds in the curtains, I tried creating a similar effect with the scarf. This actually served two purposes – it added the depth I wanted by creating ‘valleys’ and ‘ridges’ but it also brought the different colours closer together so I’d have more variety and contrast.
The creative process
This set of four images shows my progression through the photo shoot. Starting in the top left, you can see I progressed from a fairly straight line interpretation to more ‘wave like’ creations. Sometimes there were probably just a few too many ‘undulations’ going on in the shot (as in the bottom left) so I began to simplify and refine my view.
Original, unedited shot for ‘Colour Contours’
Here is the original, unedited image for ‘Colour Contours’. You can see I’ve kept the design elements fairly simple. Using the dark blue fold as a point of rest, the gentle curves of colour pulse across the frame while the shadows of the blinds behind help establish an almost 3D effect.
Enhancing the colours and cloning out a few minor blemishes in the fabric were essentially the only tasks I needed to do to ‘tidy up’ the image.
I had a lot of fun with this shoot and was so pleased to have discovered the magic just waiting to be found in front of my window…seek and you shall find!
The Versatile Scarf!
My colourful scarf has proved to be very useful when it comes to my photography! If you’d like to see another image where I employed its vibrant colours, please visit the Exposed #1: Colour Cathedral article.
Jane Trotter is an abstract photographer living in Dunedin, New Zealand. Reimagining everyday objects found around the home, Jane transforms them into colourful and dramatic pieces of contemporary art. Her Fine Art Prints are available in sizes A4 to A1.